The Criterion Collection
The Daily
Sep 6, 2017 — “Murray Lerner, a seminal music documentary filmmaker of the 60s and 70s, has died at age 90 in New York City,” reports Paula Parisi for Variety. “Lerner won an Oscar for best documentary in 1981 for From Mozart to Mao:...
Sep 5, 2017 — “If the only thing we wanted, or expected, a horror film to do was to get a rise out of you—to make your eyes widen and your jaw drop, to leave you in breathless chortling spasms of WTF disbelief—then Darren...
Dec 20, 2016 — With only three features under her belt, German director Maren Ade has become one of contemporary cinema’s keenest observers of human behavior.
On the Channel
Dec 12, 2016 — Patriotic masterminds choreograph capers from secret headquarters while dashing secret agents execute their plans by the light of flashing blades and gunfire. Jeopardy escalates second to second until our heroes and heroines escape by the skin of their teeth. Spy...
Sep 21, 2016 — An exhilarating blend of noir and splatter-flick tropes, the Coen brothers’ debut feature established their unique brand of cosmic fatalism.
Criterion Designs
Sep 24, 2015 — The French Lieutenant’s Woman is a film with the look of a lush period piece and the structure of postmodern metafiction. When it came time to design the cover, we wanted something that would emphasize the ways the film makes...
Short Takes
Sep 10, 2015 — Noah Baumbach asks one of his idols, Brian De Palma, about the stunningly elaborate museum sequence in Dressed to Kill.
Essays
May 27, 2014 — Howard Hawks was both a skillful Hollywood craftsman and a deeply personal artist, and this western of uncommon wit and grandeur is among his greatest and quirkiest films.
Sneak Peeks
Jan 14, 2013 — For our release of Alfred Hitchcock’s early suspense classic The Man Who Knew Too Much, we turned to modern-day horror master and Hitch aficionado Guillermo del Toro (Cronos) to offer viewers a primer on just how important this thriller is...
Nov 13, 2012 — Moving to Chaucer’s gray-skied England, Pier Paolo Pasolini pushed his trilogy into darker realms.