The Criterion Collection
Feb 20, 2026 — Since the 1980s, Indigenous artists have turned to documentary filmmaking and a variety of experimental forms to reassert their cultural sovereignty and lay claim to their own narratives.
Essays
Nov 12, 2024 — Filled with expressionistic shadows and pungent details of life in the criminal underworld, this seminal tale of money and violence was among director Howard Hawks’s favorite of his own films.
The Daily
Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.
Feb 14, 2023 — Entrenched as an authoritative adaptation, this Oscar-winning hit is still admired, taught, and studied today for its spectacular re-creation of the past and its reinvention of the Shakespearean spoken word.
The Daily
Sep 25, 2020 — This week there’s a new Film Quarterly and a new frieze and fresh conversations with Jan Oxenberg and Paul Cronin.
The Daily
Feb 12, 2018 — Before looking ahead to some of this week’s highlights city by city, we have some festival news to see to. The Venice International Film Festival has announced that Guillermo del Toro (The Shape of Water) will preside over the International...
The Daily
Sep 30, 2017 — “Nine years in the making, Western draws its title from [Valeska] Grisebach’s generic source inspiration, the American Western,” wrote Michael J. Anderson in a dispatch back to the Oklahoma City Museum of Art a couple of weeks ago. “Noted for...
May 18, 2017 — Loveless is “two hours of gorgeously gloomy existential despair courtesy of the well-regarded Russian filmmaker Andrey Zvyagintsev,” writes Justin Chang in the Los Angeles Times. “Often touted as an heir to Tarkovsky, Russian cinema’s other famously austere Andrey, Zvyagintsev previously...
Features
Sep 4, 2013 — Only Ernst Lubitsch got the great comedian to be as funny on the big screen as he was on the radio.
Essays
Nov 15, 1994 — Andrzej Wajda’s third full-length film established the director as a leader of the new Polish cinema.