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The Day Will Come

Aug 14, 2006 — La collectionneuse is a strong, sensuously lush, deceptively slight film, a Riviera fruit with a bitter, uncompromising aftertaste. In retrospect, it is both classically Rohmeresque and atypical, as befits a film in which the director was still finding his way....

Aug 14, 2006 — “Some people think rohmer is in league with the devil,” wrote cinematographer Nestor Almendros in his book of autobiographical reflections on the cinema, A Man with a Camera. He was describing his working experience on My Night at Maud’s (1969)....

Samurai I

Essays

Jul 21, 1998 — Hiroshi Inagaki’s Samurai Trilogy, of which this release is the first part, was adapted from Eiji Yoshikawa’s epic novel Musashi Miyamoto, which has been called Japan’s Gone with the Wind. The comparison is valid, for the tale of the medieval...

Nov 18, 2025 — This December, make yourself at home in some of cinema’s most memorable hotels, celebrate Julianne Moore’s bracingly human performances, or explore the trailblazing debuts of Black women filmmakers.

Aug 19, 2025 — This month’s programming celebrates the centenary of the great American filmmaker Robert Altman, the career of Oscar-winning actor Jodie Foster, and much more.

Jul 17, 2024 — This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.

Mar 12, 2024 — In this profoundly emotional portrait of artist Nan Goldin, director Laura Poitras explores how her subject’s creative sensibility and commitment to activism spring from the same source.

Jun 22, 2023 — Our latest slate of programs dives into one of science fiction’s favorite themes, the film career of one of rock and roll’s greatest icons, and midcentury pulp from across the Atlantic.

Feb 27, 2023 — Among the highlights this month is a series celebrating Oscar nominee Michelle Yeoh, an international star who began her career as one of Hong Kong cinema’s fiercest action heroes.

Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.

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