The Criterion Collection
Aug 26, 2025 — Zeinabu irene Davis’s sole narrative feature is a vision of the past as it might have been, as well as an exploration of how history becomes a part of the everyday rhythms of Black life.
The Daily
Aug 6, 2025 — The festival selects thirty-four features including world premieres and the best from Sundance, Berlin, Cannes, Venice, and Toronto.
The Daily
Jun 17, 2025 — Authors address overt and covert queer cinema, the avant-garde, and AI; plus notes on new collections and entire filmographies.
The Daily
Jun 2, 2025 — More than a hundred films likely to make you feel bad in all the best ways will screen in eight cities this month.
The Daily
Dec 4, 2024 — For the New York Film Critics Circle, Brady Corbet’s third feature is the best film of the year, but not everyone agrees.
On the Channel
Sep 17, 2024 — With grisly special-effects showcases, some of cinema’s most memorable witches, Japanese horror classics, and spine-tingling Stephen King adaptations all on deck, there’s plenty to choose from for your spooky-season viewing.
The Daily
Jul 25, 2024 — Claude Chabrol, Bong Joon Ho, Ann Hui, Anna Cobb, and Wei Shujun are among the names that have come up this week.
Jul 23, 2024 — Chen Kaige’s sweeping epic chronicles the history of twentieth-century China through the story of two childhood friends, contrasting the unchanging traditions of their Beijing-opera milieu with the nation’s swift and turbulent transformation.
On the Channel
Jun 12, 2024 — This summer, we’re bringing back one of our favorite seasonal themes with a hard-boiled Neonoir collection. Plus: Pop Shakespeare, Times Square, and Columbia Screwball.
The Daily
Apr 26, 2024 — The director of Human Resources (1999), Time Out (2001), and The Class (2008) has died at sixty-three.