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Oct 8, 2017 The New York Film Festival presents BPM (Beats Per Minute) tonight and tomorrow, and we begin with Jordan Cronk, writing for Cinema Scope: “A sprawling yet affectingly personal portrait of a group of Parisian activists and ACT UP members in...

Aug 31, 2017 Guillermo del Toro’s The Shape of Water, premiering in Competition in Venice and screening as a Special Presentation in Toronto, is a “ravishing, eccentric auteur’s imagining, spilling artistry, empathy and sensuality from every open pore, [offering] more straight-up movie for...

Jul 18, 2017 During a period of personal turmoil, Andrei Tarkovsky created this enigmatic masterpiece, which explores spiritual and metaphysical mysteries through the prism of a science-fiction epic.

Jun 20, 2017 With both films now streaming on the Criterion Channel, director Carroll Ballard discusses the parallels between his short documentary Rodeo and Francesco Rosi’s bull-fighting classic The Moment of Truth.

May 19, 2017 “Kornél Mundruczó’s Jupiter’s Moon is a messily ambitious and over-extended movie with some great images,” writes the Guardian’s Peter Bradshaw: “[L]ike his previous picture White God it leaves behind the somewhat torpid realist mannerisms of his even earlier films such...

Aug 17, 2016 The director of Morris for America, a poignant coming-of-age tale about a thirteen-year-old boy and his widowed father, talks about his eclectic inspirations and unique approach to movie watching.

Jun 7, 2016 Michelangelo Antonioni’s 1955 feature about a group of Turinese women plays on the themes of the novel it was adapted from, while showcasing the developing style of the soon-to-be legendary director.

Mar 15, 2016 Set during the height of McCarthy-era paranoia and arriving in 1962, in the middle of the Cuban Missile Crisis, John Frankenheimer’s high-anxiety Communist conspiracy thriller tapped into the darkest fears of Cold War America.

Feb 19, 2015 The scholar and producer talks about his experiences on the set of a film that changed his life.

Nov 4, 2014 In cinema history, there truly is no gag like a Tati gag.

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