My New Picture

Jun 8, 2017 — When we think of American cinema in the 1970s, it’s the “New Hollywood” that first comes to mind, landmark films such as The Godfather and Taxi Driver, Nashville and Chinatown. In his new book, Opening Wednesday at a Theater or...

Jun 1, 2017 — By turns gritty and lyrical, this portrait of the Syria-Turkey border brings together two pioneers of Turkish cinema.

May 22, 2017 — “She is an 88-year-old film directing icon with a two-tone purple rinse,” begins David Jenkins at Little White Lies. “He is a 33-year-old photographer and conceptual artist who likes to wear a silly little trilby hat. Together, they amble around...

May 19, 2017 — Let’s open today’s round of interviews with one from the archives, a conversation with Michelangelo Antonioni that originally ran in Corriere della Sera in 1982 but evidently took place during the final stages of shooting Blow-Up (1966). It’s been translated...

May 17, 2017 — “For its 70th anniversary,” begins Boyd van Hoeij in the Hollywood Reporter, “the Cannes Film Festival has, very appropriately, chosen to open with a film by French auteur Arnaud Desplechin, a Cannes discovery whose feature debut, The Sentinel, played in...

May 14, 2017 — Yasujiro Ozu’s ode to childhood interweaves observations of human behavior with the simple surfaces of quotidian life in Tokyo.

Jan 16, 2017 — Jack Garfein’s no-holds-barred account of sexual assault and trauma captures the volatile sensibility of the Actors Studio.

Oct 19, 2016 — Martha Karsh, editor of The Beatles A Hard Day’s Night: A Private Archive, published in September by Phaidon, talks about her family’s Beatlemania and assembling a book about the world’s most famous rock band.

Jun 21, 2016 — For more than thirty years, Taiwanese cinematographer Mark Lee Ping-bin has been collaborating with some of the greatest living filmmakers. Although best known for his work with director Hou Hsiao-hsien on films such as A Time to Live, a Time...

Jun 14, 2016 — Alexander Hall’s 1941 film showcased Robert Montgomery’s star power and, with its premise of a death revoked, provided much-needed comic relief to war-worried audiences.