The Criterion Collection
Jan 3, 2023 — A work of pure, rigorous enchantment, the final film in Terry Gilliam’s “Trilogy of Imagination” employs old-fashioned technical wizardry to bring about its wall-to-wall visual astonishments.
The Daily
Dec 29, 2022 — Martin Scorsese, Hayao Miyazaki, Catherine Breillat, Michael Mann, Christian Petzold, David Fincher . . .
Dec 29, 2022 — From deeply researched surveys of great filmmakers’ careers to idiosyncratic takes on under-examined corners of cinema history, the writing we published this year offered an array of entry points into the art form we all love.
The Daily
Dec 5, 2022 — For all the weekend’s best-of-2022 lists and awards, the Sight and Sound poll remains topic #1.
Features
Nov 23, 2022 — In Susan Seidelman’s Smithereens, the odyssey of a New Jersey transplant trying to survive in Manhattan is accompanied by the music of one of the Garden State’s most iconic punk bands.
Nov 16, 2022 — After glimpsing his great-great-grandfather on-screen, a writer searches for the history of a landmark silent film.
The Daily
Nov 14, 2022 — Most reviewers are getting a kick out of Tarantino’s blend of memoir and film criticism.
Oct 11, 2022 — Frank Capra’s flamboyant farce—his only black comedy—finds an uncharacteristically frenetic Cary Grant surrounded by a clan of genteel maniacs.
Essays
Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.
Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.