The Criterion Collection
This Canadian filmmaker is widely regarded as the master of body horror, and his visceral explorations of sex and technology challenge our preconceptions of reality.
A sensitive chronicler of Black life, the Oscar-winning director breathes poetry into his explorations of masculine vulnerability, systemic injustice, and impossible love.
The singer of the band Cigarettes After Sex shares his love for La Bamba, talks about how the romance of Eric Rohmer inspires his music, and selects favorites, from The Worst Person in the World to The Tales of Hoffmann.
The actor talks about what Andrei Tarkovsky’s films have taught him about stillness in cinema, reflects on the various adaptations of The Talented Mr. Ripley, and shares his formative experience of seeing London on-screen in My Beautiful Launderette and Mona...
The writer-director talks about how Federico Fellini and John Waters gave him the passion and confidence to become a filmmaker, shares his poignant experience watching Claudine as a young man, and selects favorites such as Pickup on South Street, Do...
The late icon of French cinema brought his impossible good looks and air of cool detachment to films by Luchino Visconti, Jean-Pierre Melville, and other European masters.
The award-winning actor and director goes deep on his favorite westerns, highlighting Gregory Peck’s psychological performance in The Gunfighter and Barbara Stanwyck’s fierceness in The Furies, Leonard Cohen’s music in McCabe & Mrs. Miller, and Budd Boetticher’s lean, mean Ranown...
The legendary actor shares his love for the Akira Kurosawa classics Red Beard and Ikiru, recalls how Tatsuya Nakadai was his teacher when he first began acting, admires the visual storytelling of City Lights, and shouts out his latest collaborator,...
The actor shares her love for sexy and stylish heist movies like Charade and Thief; praises the work of Juzo Itami (whom she calls “the G.O.A.T.”) and his wife, Nobuko Miyamoto; and talks about the African American surrealist imagery in...
The cinematographer of Bound and The Matrix talks about the thrill of watching John Ford’s Stagecoach for the first time, praises Martin Scorsese’s love of music, and picks up a recommendation from his granddaughter—Nobuhiko Obayashi’s House.