The Criterion Collection
The Daily
Oct 16, 2019 — This month’s round includes new critical assessments of Bresson and Rohmer, Hollywood memoirs, and interviews with living legends.
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Oct 15, 2019 — After breaking through in Medium Cool, Forster floundered until Quentin Tarantino plucked him from undeserved obscurity nearly thirty years later.
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Oct 10, 2019 — The rights to Jonathan Lethem’s novel were secured twenty years ago, and now that film is finally rolling out, reviews are mixed.
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Oct 9, 2019 — This year’s program has taken NYFF attendees to Soviet Russia, Lebanon, Chile, back home to the Big Apple, and behind bars.
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Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
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Oct 3, 2019 — The director reunites with writer Jonathan Raymond and cinematographer Christopher Blauvelt for a quiet tale set in the Oregon Territory of the 1820s.
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Oct 2, 2019 — Retrospectives in New York and on the Criterion Channel mark the hundredth birthday of the pioneering filmmaker.
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Sep 30, 2019 — Critics are enthralled by a mobster’s three-and-a-half-hour alternative history of the mid-twentieth century.
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Sep 27, 2019 — Some of the top titles premiering in Berlin, Locarno, and Venice this year are featured in the New York Film Festival’s Main Slate.
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Sep 25, 2019 — Adam Driver and Scarlett Johansson star as a couple whose breakup turns nasty at the hands of “the divorce-industrial complex.”