Be Here Now

Feb 23, 2021 — Released in 1985, during the exuberant flowering of films by women brought on by second-wave feminism, Joyce Chopra’s Smooth Talk now feels less of those years than like a harbinger of the #MeToo movement, an early challenge to a cultural...

Feb 18, 2021 — We’re reading about Visconti, Fellini, Tom Stoppard, Eartha Kitt, and Anton Walbrook.

Feb 12, 2021 — The virtual first half of this year’s festival will premiere new work from Céline Sciamma, Hong Sangsoo, Dominik Graf, and Ryusuke Hamaguchi.

Feb 11, 2021 — The body never lies.Instead, it keeps score, with our very gestures and walk and physical eccentricities speaking to the traumas and desires we’d like to keep hidden. But there are some people so aware of this truth, and the power...

Feb 4, 2021 — Here’s an overview of what critics have been saying about this year’s winners.

Jan 26, 2021 — As awards season picks up its pace, we have news, too, from France and New York.

Jan 15, 2021 — Songbook 1.There is music in Hirokazu Kore-eda’s Still Walking that arises from the home itself. It sounds like eddies of conversation around a kitchen counter, as persistent as the crackle of frying oil. It sounds like the patter, so similar...

Jan 7, 2021 — That Obscure Object of Desire (1977) is often referred to as Luis Buñuel’s “testament” work, the apotheosis of his remarkable career as a filmmaker. It perfectly blends the type of outrageous surrealism he pioneered in the late twenties and early...

Dec 29, 2020 — Alongside the traditional top tens, critics are offering imaginative pairings and lists of the best audiovisual essays and title sequences of the year.

Dec 11, 2020 — A new Film Quarterly, a Reverse Shot symposium, and the return of Artavazd Pelechian are among this week’s highlights.