A Man and a Woman

Mar 7, 2019 — The art of Orson Welles and David Lynch, the marriage of Fay Wray and Robert Riskin, and the criticism of Adrian Martin and David Thomson are among the subjects in this month’s round.

Jul 25, 2018 — And Orson Welles’s The Other Side of the Wind will finally see the light of day.

Jul 24, 2018 — Yorgos Lanthimos will open the NYFF, and Claire Denis’s High Life will be among the world premieres in Toronto.

Feb 26, 2018 — The new Spring 2018 of Cineaste is out, and online, we find just a few previews of what’s inside, but a whole lot of web exclusives. “The Nixon presidency? Suddenly, it seems almost quaint,” writes Jonathan Kirshner. “But it was...

Jan 13, 2018 — Even as we anxiously await If Beale Street Could Talk, based on the novel by James Baldwin and Barry Jenkins’s followup to Moonlight (image above: directing Alex R. Hibbert), he’s already attached to another project, as Deadline’s Mike Fleming Jr....

Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.

Oct 28, 2017 — We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by Yasujiro Ozu. “These three...

Jun 1, 2016 — With Wrong Move, Wim Wenders made “a movie about the impossibility of moviemaking, a road movie about the uselessness of travel, a literary film about the impossibility of communication.”

Aug 26, 2014 — Define the Japanese New Wave however you like—there are innumerable possible launching points, and the name players in the fifties and sixties were old and young and in between—but from any juncture, Shohei Imamura was a primary figure and, at...

Jan 13, 2014 — With economy and panache, Michael Mann established his existential crime drama style with this breakthrough first feature.