The Criterion Collection
Dec 20, 2020 — Before ringing in the new year, we’re taking a look back at some of the most memorable essays and interviews we published on the Current in 2020. It’s been a head-spinning twelve months, to say the least, but we hope...
The Daily
Nov 29, 2019 — American gangsters, Chinese filmmakers, and a Czech animator are featured in this week’s round.
Aug 8, 2017 — This underappreciated highlight of Michael Curtiz’s filmography grapples with postwar disillusionment and marital strife through the prism of a daylight noir.
On the Channel
Jul 18, 2017 — One of the most iconic midnight-movie pairings—Suzan Pitt’s Asparagus and David Lynch’s Eraserhead—is now available to stream on the Criterion Channel on FilmStruck.
Nov 25, 2016 — In his deeply personal third feature, Noah Baumbach charts a family’s dissolution against the backdrop of 1980s literary Brooklyn.
Feb 10, 2015 — The late film scholar beautifully analyzes the visual lyricism of the French master’s legendary short work.
Jan 26, 2010 — If Paris, Texas is a love letter to America and American cinema, it now also has something of the feel of a farewell: the world to which Wenders pays homage is vanishing fast.
Essays
Sep 15, 2008 — Max Ophuls’s 1952 comedy celebrates existence by presenting a world full of unresolvable contradictions.
Essays
Jun 25, 2007 — Taking the form of apocalyptic science fiction typical of the Cold War era, Chris Marker’s singular film is simultaneously a philosophical fiction, genre exercise, and treatise on cinematic time.
Sep 19, 2005 — Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.