The Criterion Collection
The Daily
Feb 18, 2021 — We’re reading about Visconti, Fellini, Tom Stoppard, Eartha Kitt, and Anton Walbrook.
Criterion Designs
Feb 13, 2021 — Ify Chiejina is a Nigerian American artist from Queens, New York, with a multifaceted process that incorporates drawing, painting, collage, and pattern design, resulting in a distinctive approach to portraiture. Her work speaks to themes of family, identity, and a...
Features
Feb 12, 2021 — In an interview with bell hooks published in 1996, Camille Billops responded to a question about the transgressive candor of her films by saying “It is probably exhibitionism on my part [. . .] some people say our films have...
Feb 9, 2021 — What does parallax mean? It is a term that English speakers are perpetually learning and always forgetting. Leopold Bloom, in Ulysses: “Parallax. I never exactly understood . . . Par it’s Greek: parallel, parallax.” In the technical sense, the word...
Feb 9, 2021 — Renowned for his work with Fellini, Visconti, and Bob Fosse, Rotunno was the first non-American to join the American Society of Cinematographers.
Feb 8, 2021 — 1. Martin Scorsese’s Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019)—the director’s second film about Dylan, after 2005’s No Direction Home—was nearly a decade in the making. Work on Rolling Thunder continued while Scorsese shot Silence (2016)...
The Daily
Feb 4, 2021 — Here’s an overview of what critics have been saying about this year’s winners.
Feb 3, 2021 — The lauded star of film, television, and theater was “determined to do all I could to alter the narrative about Black people.”
Features
Jan 29, 2021 — Dark Passages A nightclub floor show with dancers kicking and tapping under a scrim of cigarette smoke and the murmuration of an indifferent crowd. Couples listlessly swaying in a second-floor ballroom, the men clutching rolls of tickets and the ladies...
Jan 28, 2021 — Deep Dives Domestic work offers both an agonizing ennui and the satisfaction of a necessary task being completed. In the 1981 documentary Clotheslines, filmmaker Roberta Cantow mines these two moods, as well as the subtler emotions that fill the distance...