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There Was a Father

Jun 5, 2024 Film at Lincoln Center presents the first-ever New York retrospective dedicated to one of cinema’s most beguiling stars.

Apr 25, 2024 The American Cinematheque presents all six features, including the Los Angeles premiere of Eureka.

Dec 8, 2023 Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Dec 5, 2023 A tight-lipped stranger arrives in a gold-mining town. After checking into a hotel, he heads to Charlie’s Saloon, one of those gambling palaces with glittering chandeliers and be-feathered hostesses. He is told that Charlie “runs the town” and “owns a...

Sep 8, 2023 We’re celebrating Ousmane Sembène’s centennial, reading interviews with Ryusuke Hamaguchi and Kasi Lemmons, and watching soundies.

Oscar Weekend

The Daily

Mar 10, 2023 While Hollywood celebrates itself, MoMA spotlights video artists.

Feb 6, 2023 With her debut feature, Cameroonian director Cyrielle Raingou wins the festival’s top award.

Oct 26, 2022 Deep Dives Every elliptical pleasure of Michael Laughlin’s Strange Behavior (a.k.a. Dead Kids, 1981)—the flattened post–Twilight Zone affect, the tableaux evoking Technicolor footage faded like old Polaroids, a host of cross-pollinated genre kinks—suggests outmoded code that’s been surreptitiously updated. Embracing...

May 25, 2022 Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...

February Books

The Daily

Feb 22, 2022 Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.

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