The Box

Jul 14, 2026 — One of the funniest and most affecting scenes in 1970s Hollywood cinema is also one of the most quietly radical—no small feat in a decade of movies marked by wiggy experimentation, explosions of brutal and cathartic violence, and shaggy new...

Jun 22, 2021 — The multi-hyphenate artist’s staggering and frequently autobiographical body of work reimagines the depiction of Black people in American culture, encouraging us to question everything we see.

Apr 2, 2018 — The director of Love After Love examines the emotional subtlety of Maurice Pialat’s camera work in a pivotal scene in the 1983 masterpiece À nos amours.

Sep 5, 2017 — Frederick Wiseman “is 87 now,” as Tom Charity notes in the new issue of Cinema Scope. “It may be a little presumptuous to suggest he’s reaching for a summation, but it is sure that he’s only making the films he...

Sep 10, 2024 — Andrew Haigh explores loss and queer loneliness in this exquisite, twilit tangle of lives and loves separated by space, time, and personal defenses.

Sep 1, 2020 — It’s not impossible to be a lazy, shrug-it-off filmmaker, just as it isn’t to be a lazy painter or novelist, or, more to the point, a lazy comic artist, drawing each picture merely once and then moving on. (You could...

Nov 15, 2022 — A box-office success that buoyed Hong Kong’s beleaguered movie industry in the early 2000s, this suite of crime films combines narrative intricacy and moral complexity with an abundance of megastar charisma.

The legendary director shares the importance of learning from the work of Krzysztof Kieślowski, talks about how Straw Dogs sparked his desire to pursue filmmaking, and selects box sets by two of his favorite filmmakers, Martin Scorsese and Masaki Kobayashi.

George Plimpton, the co-founder of the Paris Review, a literary quarterly, is the author of a number of books, Paper Lion and Shadow Box among them, many with a sports background.

Jonathan Lethem is the author of thirteen novels, including Chronic City and Brooklyn Crime Novel. His writings and commentaries on film include the monograph They Live; liner notes for releases of Robert Siodmak’s The Killers, Thom Andersen’s Red Hollywood, Orson...