May 31, 2022 Billy Wilder’s classic film noir is a powerful meditation on masculinity, desire, and the fantasies of white America.

May 27, 2022 After firing up the screen in Something Wild, Liotta secured immortality as a wiseguy in Goodfellas.

May 26, 2022 The top awards at this year’s Critics’ Week go to stories of young people with uncertain futures.

May 26, 2022 Shimmy into summer with our centennial tribute to Judy Garland and two career-spanning series dedicated to queer filmmakers Ulrike Ottinger and Terence Davies.

May 25, 2022 Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.

May 25, 2022 Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...

May 23, 2022 The Romanian director maps varied strains of racism coursing through a tiny Transylvanian town.

May 17, 2022 A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

May Books

The Daily

May 16, 2022 This month we’re reading about David Fincher, Sofia Coppola, Hong Sangsoo, and Werner Herzog.

May 11, 2022 Louis Feuillade’s influential serial Les Vampires reflected the French national subconscious at the time by depicting a madcap world of anarchy and violent spectacle.

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