The Criterion Collection
Sep 11, 2025 — For J. Hoberman, the film “more than makes the case for Fonda’s centrality in the American imaginary.”
Features
Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.
The Daily
May 22, 2023 — Drawing freely from the novel by the late Martin Amis, Glazer emphasizes the horror of what we do not see.
The Daily
Apr 13, 2022 — Marguerite Duras and Jean-Luc Godard, Cahiers du cinéma’s radical years, and Todd Haynes are among this month’s highlights.
Production Notes
Oct 13, 2021 — 1. In spite of Melvin Van Peebles’s well-earned reputation for being a provocateur and a disrupter, he was also known for his kindness and generosity toward others. Over the course of working on the Essential Films box set, I observed...
Essays
Oct 5, 2021 — Kaneto Shindo’s visceral erotic-horror film centers on a dangerous duo of women fighting to survive while men are away at war.
The Daily
Jul 23, 2019 — The festival announces an intriguing closing night film, and the sidebar known to most as Venice Days unveils its lineup.
The Daily
Jan 16, 2019 — Unquiet is the first of Linn Ullmann’s books to directly address her parents. Plus, the criticism of Rivette and Bazin, a radio campaign led by Welles, and more.
Sep 17, 2018 — Critics pick their favorite premieres of the season, and Toronto audiences vote up a surprise winner.
The Daily
Mar 1, 2018 — This year’s edition of the True/False Film Fest opens today in Columbia, Missouri and runs through Sunday. “The festival focuses on nonfiction films, though True/False’s definition of the term is intentionally porous,” writes Aarik Danielsen during the course of his...