The Criterion Collection
Essays
Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.
Sep 11, 2018 — There is a brief, nearly throwaway scene early in Olivier Assayas’s Cold Water (1994) that testifies to the transcultural power of rock and roll. In an apartment outside Paris in 1972, we see two teenage brothers wrestling over a portable...
On the Channel
Sep 10, 2018 — One of the pleasures of programming a new short-and-feature pairing every week on the Criterion Channel is getting to celebrate the artistic freedom that short films offer emerging artists. With tighter run times and smaller budgets, the form comes with...
The Daily
Sep 8, 2018 — The star of over a hundred movies wielded his laid-back charisma to conquer the box office throughout the 1970s.
The Daily
Aug 20, 2018 — A survey of some of the most notable titles to have appeared over the summer.
The Daily
Aug 15, 2018 — More Galas and Special Presentations, but also the full Masters, Wavelengths, and Contemporary World Cinema lineups.
The Daily
Aug 8, 2018 — The selection of thirty films features highlights from Cannes, Locarno, Venice, and Toronto.
Jul 30, 2018 — At a time when women were rarely seen behind the camera, Babette Mangolte created a bold, distinctive aesthetic with a mix of slow rhythms and hauntingly static compositions.
Jul 20, 2018 — American audiences weren’t ready for Barbara Loden’s Wanda when it premiered in 1970. A stark portrait of a working-class woman (played with raw conviction by Loden herself) who breaks free of a miserable marriage, only to find herself on the...
The Daily
Jul 19, 2018 — Damien Chazelle’s First Man will open Venice, and Alfonso Cuarón’s Roma will be the NYFF’s Centerpiece presentation.