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Your Last Act

Aug 31, 2020 “Movies show us ourselves as we had not yet learned to recognize us—something in the nature of daily being or happening that quickly gets folded over into ancient history like yesterday’s newspaper, but in so doing a new face has...

Aug 24, 2020 “Temporal pincers” aside, this two-and-a-half-hour puzzler may be easier to follow than you might expect.

Aug 10, 2020 A slyly feminist film by the only woman directing in the Hollywood studio system of her thirties-and-early-forties heyday, Dorothy Arzner’s Dance, Girl, Dance stands as one of the era’s most groundbreaking—and entertaining—backstage sagas. And as it turned out, a different...

Aug 3, 2020 The British director of sprightly musicals, wrenching family dramas, and gripping political thrillers was seventy-six.

Jul 31, 2020 This week we’re reading about Stanley Kubrick, Jean-Luc Godard, Luchino Visconti, Amy Seimetz, and the cinematic allure of fictional cults.

Jul 30, 2020 Channel Calendars Stuck at home this summer? Don’t let that get you down—our Bad Vacations series makes the case for staying in and watching movies, cataloguing an array of holiday horrors ranging from existential ennui to full-throttle terror. That’s just...

Jul 6, 2020 The latest short film to take the spotlight on the Criterion Channel, Marnie Ellen Hertzler’s Dirt Daughter emerged from the collaboration of a vibrant community of artists. Not only was it produced by the innovative collective the Eyeslicer, which supports...

Jun 19, 2020 Along with Juneteenth and Pride Month viewing suggestions, we’re spotlighting interviews with Euzhan Palcy, Bill Forsyth, the Ross brothers, and more.

June Books

The Daily

Jun 15, 2020 This month we’re looking at books on topics ranging from Japanese animation to Hollywood movie stars to jazz on the big screen.

May 27, 2020 “A filmmaker shows what his career will be in his first 150 feet of film,” François Truffaut once wrote. He was talking about Jean Vigo at the time, but he might as well have been talking about Martin Scorsese, whose...

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