Two by South

Oct 23, 2010 — In 1945, a teenage Stanley Kubrick was given a job as staff photographer at Look magazine, where he published more than nine hundred striking images, most of them in the realist style of New York School street photography. By the...

Jun 16, 2010 — What seems so extraordinary to me about Mystery Train, watching it again twenty years after its deadpan arrival, is not just how fresh and vivid—how utterly timeless—it remains but the extent to which it truly embraces both the myth and...

May 27, 2010 — Dismiss from your mind, momentarily at least, the John Ford we know, who could define himself with the three words “I make westerns.” Before Stagecoach (1939), Ford’s talking pictures played out in submarines, penitentiaries, and Scottish castles, in Mesopotamia, colonial...

Nov 19, 2008 — Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.

Oct 15, 2007 — One of Spain’s most acclaimed and prolific directors, Carlos Saura emerged as an artist in the late 1950s under Franco’s dictatorship and immediately made his mark as an incisive, if necessarily allusive, social and political commentator.

Jul 23, 2007 — It’s hard to think of an artist who better exemplifies the obscuring ebb and flow of film history than Raymond Bernard.

Nov 28, 2006 — Paris. We landed here yesterday at midday, and after a quick stop at our hotel, executive producer Fumiko Takagi and I headed straight to the offices of TF1 and Canal+ in Issy-les-Moulineaux for meetings. Issy is not what you think...

Aug 28, 2006 — Pietro Germi’s brilliant satire skewers Italian society’s devotion to appearances and its cultlike obsession with gossip and honor.

Jun 19, 2006 — Decades after its backyard birth, Jack Woods’s DIY horror movie has forged a model of inspiration for succeeding generations of effects artists and low-budget filmmakers.

Mar 27, 2006 — Louis Malle’s World War II–era drama follows a young collaborationist in rural France and asks how people with no interest in politics become active participants in brutal torture.