The Criterion Collection
Features
Jun 14, 2021 — Postwar Hollywood’s quintessential heavy wields his signature mix of brutality and neurosis to embody an abusive husband in Max Ophuls’s psychological drama.
Jun 9, 2021 — Lois Weber was Hollywood’s leading female director in the 1910s and 1920s. But also: she was one of the great directors of the silent era regardless of gender, a filmmaker of remarkable vision who exerted an exceptional degree of creative...
The Daily
Jun 9, 2021 — Critics welcome the big-screen version of Lin-Manuel Miranda’s hit musical as a celebration of the return of the movies.
On the Channel
May 26, 2021 — Channel Calendars Next month, the Criterion Channel celebrates Pride Month with a host of extraordinary queer-themed films, including a new installment of our Queersighted series focusing on taboo-breaking artists, a trio of outré underground classics from John Waters, and a restrospective...
May 25, 2021 — In Edmund Goulding’s gritty cult classic, Tyrone Power casts off his matinee-idol image to play a conniving carnival barker on the flipside of the American dream.
The Daily
May 21, 2021 — On our minds this week: John Schlesinger, Nathaniel Dorsky and Jerome Hiler, Marguerite Duras, Agnès Varda, and David Cronenberg.
May 19, 2021 — For the last twenty years—until the pandemic broke my streak—I drove each fall to spend a week at the Toronto International Film Festival (TIFF). Before making the trip, I took care to avoid reading anything about the subjects, characters, or...
May 11, 2021 — Dorothy Arzner’s deeply cynical portrait of marriage exemplifies the director’s ambivalence toward the norms dictating female behavior, wielding ironic detachment to mask one woman’s simmering inner turmoil.
May 11, 2021 — When Fast Times at Ridgemont High came out, in the summer of 1982, I was almost exactly the same age as Jennifer Jason Leigh’s Stacy Hamilton, getting ready to start my sophomore year in high school. Like Stacy’s world-weary older...