The Dead

Houston native Wes Anderson’s idiosyncratic directorial style—marked by eccentric, colorful compositions and a fastidious attention to detail—seemed completely anomalous in the U.S. independent film landscape at the outset of his career. But it’s become such an influence on other homegrown...

Nov 14, 2011 — In 1989, the Communist rule that had dominated Eastern Europe since the end of the Second World War collapsed with astonishing rapidity. If the long-term political, economic, and ideological consequences of Europe’s reunification are still unfolding, there was an immediate...

The legendary musician, filmmaker, and visual artist talks about The Color of Pomegranates and how it challenges the idea of what a film can be, shouts out Neil Young’s Dead Man score, and shares his affection for the sentimentality in...

Nov 26, 2018 — The Magnificent Ambersons “Plus one and minus one equal nothing. So you mean I’m nothing in particular?” —Isabel “Remember you very well indeed.” —George “George, you never saw me before in your life!” —Eugene What is this cult I signed up...

Sep 26, 2018 — The completion of the project Welles began in the 1970s is one of the major cinematic events of the year.

Apr 27, 2026 — The festival centered on experimental documentary and avant-garde film will roll out across five New York venues.

Aug 4, 2025 — The Lovers on the Bridge (1991) is restored, a series is on in New York, and another heads to Austin.

Jul 24, 2025 — Along with new work from Arnaud Desplechin and Anne Émond, the festival will present first features directed by Brian Cox, James McAvoy, and John Early.

Sep 6, 2024 — Alex Cox discusses his first and next films, Warhol rarities screen in New York, and a courtroom drama revisits the culture wars of 1970s France.

Apr 19, 2022 — The Cannes sidebar will present new films by Mia Hansen-Løve, Léa Mysius, João Pedro Rodrigues, and Alex Garland.