Self Song/Death Song

Sep 15, 2022 — Spielberg finally tells the story that has shaped so many of his films, and critics are loving it.

Sep 9, 2022 — New films by Andrew Dominik, Paul Schrader, Rebecca Zlotowski, Alice Diop, and Florian Zeller premiere in Venice.

Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.

Sep 7, 2022 — The first reviews are in for new films by Martin McDonagh, Joanna Hogg, Emanuele Crialese, and Koji Fukada.

Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.

Sep 1, 2022 — Noah Baumbach’s adaptation of Don DeLillo’s novel is met with a first round of qualified praise.

Aug 25, 2022 — While working on our edition of Martin Scorsese’s 1980 masterpiece, producer Abbey Lustgarten found out how the director achieved some of the movie’s most evocative visual and sonic effects.

Aug 23, 2022 — With one foot in naturalism and the other in dreams and poetry, Marcel Carné’s visually rousing drama is an ode to the daily vicissitudes of ordinary Parisians.

Aug 16, 2022 — The director’s first novel is an action-packed prequel and sequel to his 1995 film.

Aug 9, 2022 — An indie pioneer whose life was cut tragically short, the Texas filmmaker found grace in the tedium of repressive small-town existence.