The Criterion Collection
Essays
May 17, 2004 — Banned by the Third Reich before it was even released, Fritz Lang’s denunciation of Nazi Germany is a compellingly contemporary image of terrorism in an age of universal conspiracy and advanced technology.
Essays
Feb 1, 1999 — Rob Reiner’s directorial debut documents a recent moment in the band’s checkered history—one that only coincidentally represents a brief decline in the sine wave of their careers.
Aug 26, 2025 — Alice Wu’s feature debut is a romantic comedy in which the most compelling relationship is the one between a young queer Chinese American woman and her long-widowed mother.
The Daily
Jul 9, 2021 — One of the most irreverent and boisterously funny voices in American underground cinema has died at eighty-five.
Apr 22, 2020 — One of the true dark glories of the Czechoslovak New Wave, The Cremator (Spalovač mrtvol, 1969) is the most popular and indelible work by the underappreciated Juraj Herz and remained a firm favorite of the director’s among his many films....
Nov 19, 2018 — Billy Wilder proves himself one of cinema’s greatest pleasure seekers in this irresistible confection, a landmark of Hollywood comedy.
Aug 23, 2018 — The director of Computer Chess and Support the Girls finds in John Cassavetes a surrealist whose weirdest set pieces could make David Lynch blush.
Jan 19, 2018 — Two marvels of midcentury social commentary now streaming on the Criterion Channel show how progress can be a one-step-forward, two-steps-backward process.
Essays
Oct 17, 2017 — In this lavishly mounted epic, Stanley Kubrick captures the ghostly ephemerality of a vanishing world with paradoxical immediacy.
May 30, 2017 — Manhattan’s Quad Cinema reopened last month with a series of events that highlighted the emotional immediacy that comes with the experience of watching movies for the first time.