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In Our Day

Jun 24, 2019 A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.

Apr 29, 2019 Sergio, the bourgeois Havana intellectual at the center of Tomás Gutiérrez Alea’s 1968 Memories of Underdevelopment, isn’t your typical movie protagonist. An idle, arrogant property owner with an easy swagger, Sergio is in many ways a rather distasteful individual, exploitative...

Apr 10, 2019 One Scene Dušan Makavejev’s boundary-pushing 1974 film Sweet Movie gleefully skewers the forces of social oppression with a twisted double narrative and Day-Glo scenarios. At a time when the director’s native Yugoslavia was carving out a unique position somewhere between the political...

Mar 28, 2019 Flashbacks No filmmaker of his generation from Eastern Europe could match the charisma and originality of Dušan Makavejev. Forever bustling from festival to festival with his inspiring wife Bojana Marijan—who contributed to the sound and music on many of his...

Mar 22, 2019 The Criterion Channel launches on April 8, and we’re excited to share our first month’s lineup! The April calendar of thematic programming highlights an eclectic mix of classic and contemporary films from Hollywood and around the world, many not streaming anywhere...

Feb 18, 2019 The Swiss actor will be remembered for a range of characters spanning from heaven to hell.

Jan 30, 2019 We’re excited to announce that our new streaming service for movie lovers, the Criterion Channel, will be launching on April 8 in the U.S. and Canada. It will be available on desktop, Roku, Amazon Fire, Apple TV, iOS, and Android...

Jan 29, 2019 The renowned composer made movie history with his collaborations with Jacques Demy, Agnès Varda, Jean-Luc Godard, Joseph Losey, and Barbra Streisand.

Jan 28, 2019 With WR: Mysteries of the Organism, the late Serbian director made what Amos Vogel called “one of the most important subversive masterpieces of the 1970s.”

Jan 8, 2019 “Elements which can be eliminated have been eliminated” is how Abbas Kiarostami once described his late turn toward minimalism. While the Iranian director was known for the intricate, metatextual playfulness of his work, he also spent much of his career...

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