Ik-Film

Dec 5, 2005 — If there is a skeleton key to François Truffaut’s oeuvre, it is this film, in which all of his assorted gifts and preoccupations are in play and meshed into a uniquely idiosyncratic whole.

Oct 24, 2005 — Jean-Pierre Melville’s great film flirts with macho extremism and slips over into dream and poetry just as it has us most alarmed.

Oct 24, 2005 — Kihachi Okamoto’s dynamic, intricately madcap movie is a multitoned send-up of samurai film lore.

Aug 22, 2005 — This delicate, fascinating film is self-consciously, almost militantly, naive, and it remains something of an anomaly in Roberto Rossellini’s body of work.

Apr 25, 2005 — In Andrzej Wajda’s masterful antiwar film, we see scarcely a single combat death, yet the dark radiance of doom haloes one and all.

Apr 25, 2005 — Andrzej Wajda’s first feature film marks the beginning of the Polish School, the paradigm of Polish cinema that arose from the political and cultural thaw of the mid-1950s.

Mar 14, 2005 — The appearance of this 1966 film signaled not only the debut of Volker Schlöndorff as a major international filmmaker but also the beginnings of what would become known as the New German Cinema, one of the most important film movements...

Feb 14, 2005 — A touchstone of Jean-Luc Godard‘s political period, the film plays with the idea of recording working-class history as it is happening.

Jan 17, 2005 — Jacques Becker’s crime film contains plenty of the requisite genre elements—double-crossings, violence, kidnappings, and gun battles—but it’s also a pensive meditation on age, friendship, and lost opportunities.

Jan 17, 2005 — Jacques Becker’s genius is to focus resolutely on what comes before or after or falls in between the decisive actions: it’s a crime film where we learn how gangsters brush their teeth.