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Feb 20, 2018 In this wildly inventive revenge drama, director Kon Ichikawa blurs the line between stage and screen, infusing kabuki traditions with his own extravagant visual sensibility.

Feb 9, 2018 Ioncinema has completed its countdown of the fifty most anticipated foreign films of 2019—that’s twenty-nineteen—and Nicholas Bell has written up a paragraph for each of the top ten: 1. Untitled Jonathan Glazer Project2. Abel Ferrara’s Siberia3. Kleber Mendonca Filho and...

Feb 8, 2018 On Monday, Variety’s Kirsten Chuba reported that John Mahoney, “best known for playing Martin Crane on eleven seasons of Frasier,” had passed away the previous day at the age of seventy-seven. “He won a SAG Award and received two Emmy...

Feb 7, 2018 Last week, the SXSW Film Festival presented 132 features lined up for its 2018 edition running from March 9 through 18. Today, the festival announces that Wes Anderson’s Isle of Dogs will be this year’s Closing Night Film—and it’s added...

Feb 7, 2018 New York. The Tribeca Film Festival has announced that its seventeenth edition will open on April 18 with the world premiere of Lisa D’Apolito’s Love, Gilda, a portrait of Gilda Radner, who “captivated millions of television viewers as an original...

Feb 2, 2018 New York. First, we look past the new few days with a few lineup announcements. EW’s Clark Collis reports on Pacino’s Way, a retrospective of over twenty-five films, “the majority screening on 35 mm prints,” that will run at the...

Feb 1, 2018 G. W. Pabst’s breathlessly paced reimagining of a mine disaster makes an urgent plea for international cooperation in the post–World War I era.

Jan 25, 2018 “I don’t scare easily,” begins A. A. Dowd at the A.V. Club. “So it’s a special kind of awful, a rare treat of sorts, when something comes along that actually gets past my defenses, that does more than make me...

Jan 23, 2018 Made during the German occupation of France, these beguiling films showcase Claude Autant-Lara at the height of his powers.

Jan 7, 2018 The updates to the entry on Paul Thomas Anderson’s Phantom Thread are still rolling in, and one of the most recent ones links to Sheila O'Malley’s cover article for the new issue of Film Comment. “Unlike other clichéd Great Men...

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