The Criterion Collection
Jul 20, 2022 — A brutal critique of the American dream, Carl Franklin’s 1995 thriller explicitly confronts the racialized implications of classic film noir.
The Daily
Jul 8, 2022 — The actor brought a wiry tension to his roles in The Godfather, Thief, and Misery.
Essays
Jun 14, 2022 — Ekwa Msangi’s intimate feature debut pushes the conventions of the immigrant family drama.
The Daily
Mar 17, 2022 — New restorations of the six films directed by the renowned actress will screen from coast to coast.
The Daily
Jan 31, 2022 — What have the critics been saying about this year’s winners?
Essays
Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...
The Daily
Jan 4, 2022 — A thread runs from the Truffaut season in the UK through the Rivette retrospective in Paris to the first feature directed by Juliet Berto.
Nov 17, 2021 — Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...
Features
Sep 22, 2021 — Writer-director John Huston blasted the fusty pieties that pervaded big-studio filmmaking in the post-Code era, whether as the progenitor of film noir with The Maltese Falcon (1941) or the brainy daredevil who threaded critiques of frontier capitalism, gold lust, and...
Essays
Sep 21, 2021 — Johnnie To pays homage to Akira Kurosawa in this martial arts drama about the virtue of struggle and self-improvement.