Jun 17, 2018 The stakes are high. An unknown entertainer newly arrived in a foreign country prepares for her first performance, under pressure to make a hit with a restless, rowdy audience. It is a hot night; the crowd exudes a collective humidity,...

Jun 12, 2018 Among the six movies Lino Brocka directed between 1974 and ’76, there were three landmark works that changed the course of his career and that of Philippine cinema: Weighed but Found Wanting (1974), Manila in the Claws of Light (1975),...

Jun 7, 2018 Repertory Picks The road to divorce is paved with comedy gold in Leo McCarey’s The Awful Truth, playing tonight at the Princeton Garden Theatre in New Jersey. Plagued by suspicions of infidelity, an upper-crust New York couple (Cary Grant and...

Silent Revivals

The Daily

Jun 1, 2018 The San Francisco Silent Film Festival is on through the weekend. Plus, Louise Brooks in the UK and Anna May Wong in Berlin.

May 30, 2018 A new website and two translations of her memoir will extend the Belgian filmmaker’s legacy.

May 24, 2018 The late novelist’s work has proven to be an all but insurmountable challenge to screenwriters—but there’s hope.

May 23, 2018 About halfway through Cristian Mungiu’s Graduation (2016), Dr. Romeo Aldea (Adrian Titieni) finds himself in a patch of woods in the middle of the night, crying. It’s a surprisingly vulnerable moment for a protagonist who is usually all business. We’re...

May 21, 2018 Movies you may not care about are inspiring some writing you won’t want to ignore.

May 21, 2018 Beyond the Hills (2012) tells the story of a real-life Romanian tragedy that attracted international media attention in 2005: the death of a young woman submitted to a shockingly medieval exorcism at a small monastery in Moldavia. The monastery was...

May 21, 2018 W hether she’s pushing herself to new heights on stage and screen or nurturing her passions as a painter and poet, Juliette Binoche is as creatively voracious now as she’s ever been. Her combination of strength and disarming vulnerability as...

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