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White City

Nov 19, 1989 Almost as long as they’ve been able to talk, films have been able to sing and dance. Frequently high-style, often rapturously romantic, most musicals have nonetheless been content to remain light, sophisticated entertainment. Still, there has always been a minority...

Jan 11, 1989 Thursday, March 2, 1944—the United States is in its third year of war with the Axis powers. More than 12 million Americans are fighting on various fronts; the German armies are being repulsed at Anzio and the newspapers have large...

Sep 5, 1988 A wild mixture of gangster thriller, slapstick comedy, and bittersweet romance, François Truffaut’s second film was one of the signal works of the French New Wave.

La strada

Essays

Mar 7, 1988 A low-key mood study about a broken-down carnival strongman and his half-wit assistant traveling through the bleak backwaters of post-war Italy catapulted Federico Fellini to the front ranks of that country’s greatest filmmaking talents.

Nov 17, 2016 French cinema icon Isabelle Huppert takes the spotlight this weekend, as New York City’s Metrograph theater launches a mini-retrospective of her four-decade career.

Jun 17, 2025 Drawing from over a dozen hours of black-and-white footage, Direct Cinema pioneer Charlotte Zwerin created this elliptical and moving portrait of one of American music’s most original artists.

Apr 25, 2023 Steve McQueen’s monumental, five-film portrait of London’s West Indian community is a howl of endorsement for political resistance and a vivid indictment of institutional malaise.

Jul 26, 2022 A seductive brew of decadence, dada, and drag, the German director’s fantastical films embrace the possibilities of female visual pleasure.

May 12, 2026 Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. The foundational myth of the American dream puts forth...

Mar 2, 2026 A New York retrospective offers Eyes Without a Face, naturally, but also rarely screened features and nonfiction shorts.

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