The Third Man

Mar 31, 2025 — Steeped in theater history, Shinoda infused centuries-old tales with twentieth-century dynamism.

Jan 24, 2025 — We’re sampling new issues of Notebook, Senses of Cinema, and 032c and reading about Eisenstein and Charlotte Zwerin.

Oct 31, 2024 — She brought a winning intelligence to suffering characters in such films and Young Frankenstein, Tootsie, and After Hours.

Oct 23, 2024 — Selections from this year’s lineup will screen in New York and Los Angeles.

Oct 24, 2023 — A beautiful, intense woman stands in a large, dusky room, lit only by an oil lamp, her eyes wide in concern and something not far from panic, her eyebrows tremulously registering every thought and fear that passes through her mind,...

Dec 13, 2022 — A departure from the tales of sex and violence that defined Black cinema in the early 1970s, Michael Schultz’s beloved coming-of-age film celebrates the emotional bonds among a group of young Black men.

Oct 14, 2022 — Martin Scorsese remembers Jean-Luc Godard, Francine Prose admires Jafar Panahi, and Guy Maddin discusses his earliest and newest works.

Feb 22, 2022 — The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.

Feb 17, 2022 — Here’s a sampling of early critical response to this year’s winners.

Jan 26, 2022 — Rotterdam opens as Sundance winds down and Berlin sets up.