The Criterion Collection
Apr 24, 2015 — Atypical in style and subject, Yasujiro Ozu’s early crime dramas show a future master brilliantly experimenting with camera and editing.
Apr 13, 2012 — Did You See This? • Can La haine save London from more riots? • You can’t kid a kidder, but you can scare a scarer. • (Why can’t every day be) Derek Jarman Day • A Cassavetes Tumblr • Edward...
Jun 16, 2010 — What seems so extraordinary to me about Mystery Train, watching it again twenty years after its deadpan arrival, is not just how fresh and vivid—how utterly timeless—it remains but the extent to which it truly embraces both the myth and...
Jun 11, 2007 — Over the past month or so, it seems as though glancing references to Criterion are popping up everywhere. This morning, I saw Bob Stein, one of the original founders of Criterion, in New York magazine, being interviewed for his fashion...
Jan 27, 2007 — Despite all the hype (or maybe because of it), it wasn’t that hard to get into the films I wanted to see. Standing on the last minute wait line worked for me every time, although that might say something for...
Apr 20, 1992 — Tanya: Oh, James, James, will you make love to me all the time in England? James Bond: Day and night! Sean Connery returns in From Russia with Love in the best of all of Ian Fleming’s stories. Filled with sex,...
Jan 28, 2019 — Karyn Kusama made her feature debut in 2000 with Girlfight, which won the Award of the Youth at the Cannes Film Festival and was nominated for the Independent Spirit Award for best first feature. Since then, she has won acclaim...
Jan 12, 2011 — Scott Morse is a storyteller with one foot in the world of comics and the other in the world of film. His books Soulwind, Tiger! Tiger! Tiger!, and the Kurosawa-inspired tale The Barefoot Serpent have garnered critical acclaim and a...
Jan 22, 2009 — I’ve fulfilled a dream to become a part of the Criterion family. Criterion has helped to preserve not only the films I grew up with but also the ones I’m now trying to keep up with. Picking ten is worse...
The writer, director, and actor returns to the Criterion Closet, where he shares how he and cinematographer Maceo Bishop studied documentaries like The War Room when making their new film The Smashing Machine, shouts out the singular performances in Carnal...