The Criterion Collection
The Daily
Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.
The Daily
Aug 30, 2024 — Martin Scorsese and Edgar Wright discuss overlooked British films and cinematographer Mark Lee Ping-bing talks about working with Hou Hsiao-hsien.
On the Channel
Aug 13, 2024 — This month brings riveting courtroom dramas, New American Cinema classics, giallo shockers, pre-Code gems by women screenwriters, and a new episode of Adventures in Moviegoing.
The Daily
Aug 12, 2024 — Featuring a new restoration of The Spook Who Sat by the Door, the series includes films by Renoir, Tarkovsky, and Edward Yang.
Features
Jun 25, 2024 — A collection on the Criterion Channel charts the evolution of the synthesizer—from its infancy in the 1950s to its maturity in the 1980s—and its transformative impact on film music.
May 23, 2024 — Celebrating a forty-year career, DCTV presents a twenty-four-film retrospective.
Mar 20, 2024 — Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.
The Daily
Mar 7, 2024 — The Austin festival presents action-heavy Headliners, creepy Midnighters, and promising Competition contenders.
The Daily
Feb 20, 2024 — Dense with conflicting ideas, the hybrid film focuses on the 2021 return of centuries-old artifacts to Africa.
The Daily
Jan 26, 2024 — We gather essays and interviews related to series spotlighting Ousmane Sembène, Serge Daney, Skip Norman, Iranian cinema, and the Oscars.