Stree

Apr 18, 2019 — This year promises a healthy mix of renowned auteurs and younger talents—and there’s more to come.

Apr 17, 2019 — Showcasing new work by filmmakers at the forefront of nonfiction and hybrid cinema, this year’s edition also pays tribute to three vital groundbreakers.

Apr 16, 2019 — Most proper New Waves of the 1960s came equipped with a rough balance of assimilable superstars and genuine radicals, and for the Czechoslovaks, the guerrilla flank was led by Jan Němec. Jiří Menzel was adored globally for his wry humor,...

Apr 12, 2019 — Known for his work with John Cassavetes, the actor was rediscovered a generation later in films by Wes Anderson.

Apr 5, 2019 — Two-Lane Blacktop A longtime Criterion contributor, Kent Jones has written for us on everything from the glories of studio filmmaking to the most daring and cerebral of art-house auteurs. But regardless of the subject he’s set his sights on, he’s...

Apr 3, 2019 — This month’s round features Dalí’s Marx Brothers movie, Bergman family drama, Welles’s unpublished play, and more.

Apr 2, 2019 — Mike Leigh’s endless fascination with human behavior is palpable in every one of the films he’s made over the course of his nearly fifty-year career. With an acute sensitivity to rhythm, character, and setting, he extracts extraordinary moments from the...

Apr 1, 2019 — The artist, photographer, and filmmaker leaves behind one of the most varied and restless oeuvres in cinema.

Mar 29, 2019 — When Carlos Reygadas’s debut film, Japón, came out in 2002, my generation was just starting to drive cars, smoke weed, use contraceptives. A movie ticket at the Cineteca Nacional still cost only twenty pesos then if you showed your student...

Mar 27, 2019 — Twenty-four features by some of the world’s most promising directors are screening in New York through April 7.