The Criterion Collection
Sep 23, 2002 — Anticipating reality TV, Rémy Belvaux’s faux cinema verité satire follows a film crew documenting a mass murderer’s rampage.
Essays
Mar 4, 2002 — Wong Kar-wai’s biggest commercial success to date elevated him to the mainstream of international art house cinema, and it echoes the end of an era with pure melancholic power.
Essays
Oct 2, 2000 — The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), resist the commodification of entertainment while charting the development of Jon Rubin (Robert De Niro) from voyeur to filmmaker to urban guerilla. If pictures like...
Essays
Aug 28, 2000 — The acclaimed humorist’s work sees the range of human folly sans romance and piety.
Essays
Oct 12, 1998 — Inspired by the stranger-than-fiction true story of identical twin gynecologists, David Cronenberg’s psychological thriller is a melancholic meditation on our very existence.
Essays
Jun 2, 1998 — In Ray Johnson’s documentary The Making of “A Night to Remember”, Walter Lord says that when he wrote his 1955 book on the 1912 sinking of the Titanic, there was no mass interest in the topic; nothing had been written...
Essays
May 5, 1998 — Borrowing inspiration from doom-laden French crime movies like Jean-Pierre Melville’s Le samouraï and ancient Chinese chronicles of patriotic assassins, John Woo’s film is a passionate cinematic upheaval.
Sep 19, 1994 — The French do not have to take crash courses in order to deal with the man/woman thing. It is in their blood and in their civilization. Hence, they do not have to compensate for a habitual sexism with extravagant portraits...
Essays
May 10, 1993 — Green for Danger is a welcome twist on that most venerable of English concoctions, the drawing-room thriller. In this instance, the drawing room is instead a hospital not far from London, where surgery is conducted under a cascade of German...