The Criterion Collection
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Sep 30, 2019 — Critics are enthralled by a mobster’s three-and-a-half-hour alternative history of the mid-twentieth century.
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Sep 27, 2019 — Some of the top titles premiering in Berlin, Locarno, and Venice this year are featured in the New York Film Festival’s Main Slate.
Sep 27, 2019 — Charlie Chaplin gave The Circus (1928) one of his favorite themes, some of his most sublime gags, and an incomparably poignant ending. It’s a hugely personal work, which draws on moments from his whole career, from his early stage work...
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Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.
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Sep 25, 2019 — Adam Driver and Scarlett Johansson star as a couple whose breakup turns nasty at the hands of “the divorce-industrial complex.”
Sep 20, 2019 — A fresh reading of Dr. Caligari, a deep dive into War and Peace, Terry Zwigoff’s “immersive screenings,” and Beyoncé’s multimedia project are among this week’s highlights.
Sep 20, 2019 — In the winter of 1981, when I was young, I fell madly in love with a handsome poet. About two weeks into our affaire de cœur, we went to the Thalia on the Upper West Side of Manhattan to see...
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Sep 17, 2019 — Also this month: Hollywood stars writing and reading and a novel that reimagines the intertwined lives of Marlene Dietrich, Anna May Wong, and Leni Riefenstahl.
Sep 16, 2019 — In a dark moment, Laurence Olivier often reached for a laugh. His lofty, somewhat burdensome reputation as his century’s greatest dramatic actor belies the mercurial essence of his craft, which was to seize upon the humanity in each of his...
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Sep 16, 2019 — Martin Eden tops the Platform competition, while audiences go for Jojo Rabbit.