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Dec 22, 2025 Kleber Mendonça Filho programs a series of films that have informed his slow-burning thriller.

Nov 14, 2025 This week: Buñuel revivals, the Rock Hudson centenary, and Mishima’s Japanese premiere.

Sep 16, 2025 In response to the suffocating conservatism of the eighties, Lizzie Borden crafted a pluralistic vision of a feminist front that neither ignores difference nor lets it stand as an immovable obstacle to political solidarity.

Aug 12, 2025 This remarkably sensitive yet jarringly violent romance epitomizes director Youssef Chahine’s late-fifties hybrid style, which combined elements of Hollywood entertainment with an unmistakably Egyptian spirit.

September Books

The Daily

Sep 18, 2024 We’re reading or anticipating new books from Pedro Almodóvar, Al Pacino, Werner Herzog, and Cher.

May 20, 2024 From documentaries and stop-motion animation to multimedia projects, the richly varied work of this veteran director is a testament to her innovative spirit and her commitment to the everyday beauty of African American experiences.

Aug 25, 2023 Between 1960 and 1964, Roger Corman directed eight films loosely derived from Edgar Allan Poe and in all but one case starring Vincent Price: House of Usher (1960) was followed by The Pit and the Pendulum (1961); the omnibus feature...

Jul 10, 2023 Writer-archivist-filmmaker Jenni Olson and critic Caden Mark Gardner discuss Masc, a collection of films on the Criterion Channel that explores the many forms of masculinity beyond the realm of cisgender men.

May 30, 2023 What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.

Over Time

The Daily

Jun 25, 2022 This week sees new issues of film and literary journals as well as great writing on Stanley Kwan, Hong Sangsoo, and Claire Denis.

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