The Criterion Collection
The actor shares his close connection to Lindsay Anderson’s This Sporting Life, praises Richard Burton’s performance in The Spy Who Came in from the Cold, and talks about playing villains for “master of the macabre” Brian De Palma.
The director and cowriter of Dune draws connections between the ways Krzysztof Kieślowski and Ingmar Bergman captured women on-screen, shares why Che is his favorite Steven Soderbergh film, and talks about how Lars von Trier broke the codes of cinema...
The actor and star of Nosferatu, Juror #2, and The Order shares why Shallow Grave is seared into his memory, talks about his love for Peter Sellers’s performance in Being There, and selects favorites by Bruce Lee, the Coen brothers,...
The writer and director of Nosferatu shares his fascination with Sergei Parajanov’s ornate tableaus, praises costume designer Piero Tosi’s work on Medea and Death in Venice, and talks about how Jack Clayton’s The Innocents ignites his imagination.
The actor joins the director of his new film The Piano Lesson in the Criterion Closet, where they shout out the importance of Menace II Society, reflect on the beauty of Jacques Demy and Agnès Varda’s artistic relationship, and praise...
The director of I’m Still Here shares why Andrei Rublev and Stranger Than Paradise consistently renew his faith in cinema, talks about the unique mix of documentary and fiction in Memories of Underdevelopment, and praises how Garrett Bradley’s Time shows...
The director and cowriter of Emilia Pérez shares his love for Fritz Lang’s rich visual language, compares Robert Altman’s narratives to “surrealist exquisite-corpse exercises,” and praises the Viennese sensibility of Max Ophuls’s La ronde.
The legendary filmmaker praises Jacques Tati’s dedication to getting his films made, reflects on the lessons he learned from Dorothy Arzner when she was his professor, and shares the joy he finds in inspiring new generations of directors.
The director and cowriter of WALL·E shares why Paper Moon and Local Hero speak to his heart, reminisces about the privilege of collaborating with Albert Brooks, and talks about why Matewan is an essential film for everyone to see.
The filmmaker and author shares how Hollywood Shuffle and Slacker inspired him to make movies, talks about why actors make great directors, and selects favorites such as His Girl Friday and Bull Durham.