The Criterion Collection
Jul 16, 2013 — Theater legend Peter Brook’s approach to bringing the classic fable about human savagery to the screen was radical in its straightforwardness.
Essays
Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.
Jun 17, 2013 — The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...
Feb 25, 2013 — When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.
Essays
Jan 22, 2013 — With his unique use of new 3D technology, Wim Wenders found an unprecedented way for the movie camera to capture bodies in space.
Jan 15, 2013 — Despite the acclaim, Volker Schlöndorff always felt his adaptation of Günter Grass’s novel was incomplete. Thirty years later, he set to work on his director’s cut.
Essays
Jan 8, 2013 — The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...
Dec 5, 2012 — The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...
Nov 5, 2012 — The following originally appeared as the afterword to the 2003 New American Library edition of the novel Rosemary’s Baby. Having observed that the most suspenseful part of a horror story is before, not after, the horror appears, I was struck...