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We Own the Night

Jul 16, 2019 When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...

Jun 12, 2019 One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...

May 31, 2019 Cannes 2019 Cannes has been top dog in the festival world as long as anyone can remember. It was originally set to launch in 1939 as a conscious political reply by liberal democracy to the success of Mussolini in establishing...

May 15, 2019 It may have taken nearly two decades after graduating from England’s National Film and Television School for Joanna Hogg to emerge as a feature filmmaker, but it was worth the wait. After making her thesis film, Caprice (starring a then-unknown...

Mar 21, 2019 “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...

Feb 12, 2019 In a stark, forbidding prison, a nun ascends a staircase, framed by vertical bars, and walks down a corridor, unlocking cell doors. Women start coming out; two of them quarrel. Smoking on her bunk, one inmate sighs when told she...

Jan 25, 2019 Deep into Cristian Mungiu’s 2007 drama 4 Months, 3 Weeks and 2 Days, we sit in on a leisurely dinner-table chat that appears to be unrelated to the film’s main event, an illegal abortion conducted in a seedy hotel. After...

Oct 2, 2018 Performances There’s an irreducible reserve about Kristen Stewart, an appearance of not doing much on-screen, that I mistook for lack of talent when I first saw her mumbling into her shirt in the Twilight franchise. Still, playing Bella Swan, chastity...

Jul 20, 2018 American audiences weren’t ready for Barbara Loden’s Wanda when it premiered in 1970. A stark portrait of a working-class woman (played with raw conviction by Loden herself) who breaks free of a miserable marriage, only to find herself on the...

Apr 12, 2017 With a comprehensive retrospective of her work opening at New York’s Quad Cinema, Lina Wertmüller chats with us about her early days as a moviegoer and her collaborative process.

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