The Other Half and the Other Half

Sep 11, 2020 — On our minds this week: New Taiwan Cinema of the 1980s, Black cinema’s “paradoxical role in American cultural history,” the new Brooklyn Rail, and more.

Sep 11, 2020 — As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.

Jul 30, 2020 — The festival of new restorations will host the Venice Classics program and celebrate the thirtieth anniversary of Martin Scorsese’s Film Foundation.

Jun 8, 2020 — A patient and observant analyst of films and their stars, the playwright and critic has passed away. He was ninety.

Sep 30, 2019 — Critics are enthralled by a mobster’s three-and-a-half-hour alternative history of the mid-twentieth century.

Jan 21, 2018 — “In a festival that rarely wants for political currency,” writes Justin Chang in a dispatch from Sundance to the Los Angeles Times, “it’s surely no coincidence that Blindspotting and Monsters and Men, the first two films to screen in this...

Jan 14, 2018 — Let’s begin with a round of interviews. In his latest “Streaming” column in the New York Times, Glenn Kenny talks with John Pierson about Split Screen, the television program that debuted on IFC back in 1997 and is now streaming...

May 24, 2017 — “Love them or hate them, the films of Bruno Dumont never cease to confound,” begins Jordan Mintzer in the Hollywood Reporter. “For a long time the 59-year-old auteur was known for his uncompromising—and uncompromisingly bleak—early works like The Life of...

Apr 14, 2015 — Before he turned Vienna into a labyrinth of shadows with The Third Man, Carol Reed brought film noir to Belfast for this stylishly fatalistic tale of a man caught up in political violence.

Jan 21, 2015 — Money can’t buy love and happiness in Preston Sturges’s classic comedy—or can it?