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The Help

Jun 25, 2021 This week’s highlights include a new issue of Cinema Year Zero, a dossier from Sky Hopinka, and an excellent new name for a subgenre.

Women at Work

The Daily

Mar 19, 2021 We’ve been watching and reading about films by Cecilia Mangini, Cheryl Dunye, Claire Denis, and Nina Menkes.

Feb 13, 2018 Lucrecia Martel was at the International Film Festival Rotterdam this year not only to present Zama but also to deliver a masterclass. Giovanni Marchini Camia was there, and reports for Filmmaker: To illustrate her conception of mise en scène, Martel...

Sep 2, 2017 “The names Joel and Ethan Coen pop up on a lot of screenplays these days (Bridge of Spies, Unbroken), now that they’re getting credit for the kind of script-polishing they used to do anonymously,” begins Variety’s Owen Gleiberman. “But Suburbicon...

Jul 25, 2017 Venice Days, “modeled on the prestigious Directors’ Fortnight of the Cannes Festival and promoted by the associations of Italian film directors and authors (Anac and 100autori),” has announced the lineup for its fourteenth edition, running from August 30 through September...

May 9, 2012 The paradox of the biopic is that the need to give fictional characters the kind of messy, defining behavior that makes them ring true—makes them, in the vocabulary of development, “relatable”—is usually overlooked when an actual life is condensed into...

Bottle Rocket

Essays

Nov 23, 2008 The possession of a real voice is always a marvel, an almost religious thing.

Magic Carpet Ride

Tech Corner

Jan 23, 2008 Of all the great places I get to go for transfer work, London is probably my favorite. First off, everyone speaks English, and there’s an abundance of great Indian food. But there’s also the excitement that when the workday ends,...

Jan 21, 2008 As late as 1970, Alf Sjöberg’s boldly experimental 1951 adaptation of August Strindberg’s play was declared as inaugurating “a new cinematic language.”

Apr 16, 2007 Following debates about tensions between police and immigrant communities in France, director Mathieu Kassovitz began a public correspondence with the right-wing minister of the interior Nicolas Sarkozy.

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