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Jul 20, 2021 Dismissed as gossip-column fodder in its time, Jacques Deray’s cooly enigmatic villa thriller is an exploration of masculine vanity and feminine disillusion.

Feb 25, 2021 Channel Calendars Giddy up, movie lovers! This month on the Channel, our Black Westerns series leads the charge, highlighting films that have challenged the myths of the Old West to tell the stories of African Americans on the frontier. And...

Oct 7, 2020 One Scene I have a very precise memory of watching The Game for the first time, of sitting on the couch in the family room of my childhood home, inserting the VHS tape, and being totally taken in. At the...

Aug 31, 2020 Documentaries lead the charge this month on the Criterion Channel, with a wide-ranging offering of nonfiction films as formally imaginative and emotionally riveting as any scripted drama.

Aug 31, 2020 Fans around the world remember an accomplished actor, a genuine movie star, and a generous role model.

Aug 27, 2020 In his novel All the Rest Have Died (1964), about his experience as a young actor in New York, Bill Gunn wrote, “I was always only slightly aware of the injustice the Black artist suffers while trying to create in...

Jun 15, 2020 The hugely popular and prolific Italian actor Alberto Sordi relished playing rogues, characters riddled with foibles and weaknesses. In an interview with Positif’s Jean A. Gili in 1999, he revealed that his aim was to depict in a comic register...

Apr 10, 2020 Songbook Edward Yang’s A Brighter Summer Day is the War and Peace of Taiwanese juvenile-delinquent movies. It is also part of a tradition of films that use the process of a character slowly learning a single song as a narrative-building...

Jan 17, 2020 Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...

Nov 26, 2019 Bette Davis gets the first laugh in Joseph L. Mankiewicz’s All About Eve (1950), and a little over two hours later, she gets the last laugh too. The film opens at the dinner for something called the Sarah Siddons Award...

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