Run Uje Run

Feb 12, 2019 — The competition is struggling as China yanks one film and theater owners threaten another.

Feb 12, 2019 — In a stark, forbidding prison, a nun ascends a staircase, framed by vertical bars, and walks down a corridor, unlocking cell doors. Women start coming out; two of them quarrel. Smoking on her bunk, one inmate sighs when told she...

Feb 6, 2019 — On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...

Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.

Feb 1, 2019 — Rotterdam and Vanity Fair get a cinephile’s dream roster of filmmakers talking about their work.

Feb 1, 2019 — A cast of dolls and a rhino are featured in this year’s award-winners, and Steven Soderbergh has previewed his new film.

Jan 31, 2019 — Repertory Picks Tomorrow, two of Jackie Chan’s most furiously entertaining blockbusters will swing their way back into theaters, as Police Story (1985) and Police Story 2 (1988) begin a run at Brooklyn’s Alamo Drafthouse in new 4K restorations, courtesy of...

Jan 29, 2019 — In the Heat of the Night (1967) opens with an air of mystery, of outsiderness winding its way into the small town of Sparta, Mississippi, a place that right away seems heavy with a sense of what belongs and what...

Jan 28, 2019 — With WR: Mysteries of the Organism, the late Serbian director made what Amos Vogel called “one of the most important subversive masterpieces of the 1970s.”