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It’s a Free World

Nov 16, 2008 Chungking Express (1994) was the Masculin féminin of the 1990s, a pop-art movie about cool twentysomethings looking for love in the city that has replaced Paris as the center of the world-cinema imagination. What Jean-Luc Godard did for “the children...

Jan 21, 2008 While Agnès Varda was prescient in picking up on the new social phenomenon of France’s young female drifters, she also anticipated the culture of extreme individualism that has come to dominate Western society since the 1980s.

Aug 14, 2006 It’s both hard and not so hard to believe that Eric Rohmer’s Six Moral Tales were conceived—indeed, written initially—as a novel. On the one hand, he’s the grand master of dialogue as an instrument of narrative. His characters muse, reflect, analyze,...

Apr 24, 2000 PREFACE Aman who dozes, his mouth half open, in front of a wood fire, lets slip some secrets from that night of the human body that is called the soul, over which he is no longer master. The sentry of...

Mar 29, 2016 Les Blank’s long-lost documentary revels in the trippy, eccentric world of and surrounding Tulsa Sound pioneer Leon Russell, transforming what might have been a standard concert movie into a genuine work of art.

A Global Lineup

The Daily

May 27, 2020 Twenty-one festivals from around the world contribute to the eclectic lineup of the free We Are One: A Global Film Festival.

Jul 18, 2017 With a weeklong run of our new restoration of Desert Hearts opening at the IFC Center in New York, we spoke with director Donna Deitch about this landmark of LGBT filmmaking.

Aug 31, 2022 The veteran designer talks about her wide-ranging, three-decade career, which has included collaborations with rock icons like Nirvana and filmmakers like Sofia Coppola and David Lynch.

Pop Histories

The Daily

Oct 23, 2020 A new Senses of Cinema, free access to the NYRB archive, and the return of drive-in theaters are among this week’s highlights.

Feb 2, 2018 Opening today at the Film Society of Lincoln Center, Iranian master Abbas Kiarostami’s final film, 24 Frames, is a subtle meditation on time and perception.

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