The Criterion Collection
Jun 27, 2017 — After nearly a decade of honing his craft, Alfred Hitchcock firmly established his reputation with this silent thriller.
Production Notes
Jun 26, 2017 — 1. Before ever setting foot in front of a camera, Ivor Novello found fame as a music composer in 1914 with his beloved wartime anthem “Keep the Home Fires Burning (’Till the Boys Come Home).” Over a million copies of...
May 30, 2017 — Manhattan’s Quad Cinema reopened last month with a series of events that highlighted the emotional immediacy that comes with the experience of watching movies for the first time.
May 24, 2017 — “Love them or hate them, the films of Bruno Dumont never cease to confound,” begins Jordan Mintzer in the Hollywood Reporter. “For a long time the 59-year-old auteur was known for his uncompromising—and uncompromisingly bleak—early works like The Life of...
Apr 27, 2017 — Blending irreverent comedy and surreal eroticism, Juzo Itami’s international hit is a utopian look at the peculiarities of gastronomic culture.
Production Notes
Apr 27, 2017 — 1. As I began work on The Kennedy Films of Robert Drew and Associates, I knew that 1960’s Primary was really the birth of what we think of as the modern documentary: observational photography based on access to an interesting subject, presenting...
Mar 14, 2017 — Religious fanaticism and anti-Communist hysteria give way to mass violence in this groundbreaking work of Mexican political cinema.
Feb 6, 2017 — In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.
Criterion Designs
Oct 26, 2016 — When putting together the Criterion editions of Guillermo del Toro’s films, we assembled a talented group of artists, including Hellboy creator Mike Mignola, del Toro collaborator Guy Davis, comic book creator Becky Cloonan, and Russian artist Vania Zouravliov.
Oct 5, 2016 — Rock critic Robert Christgau examines the evocative use of three early Leonard Cohen songs in Robert Altman’s brilliant revisionist western.