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High Time

Nov 21, 2019 A richly varied showcase of Korean films made between 1996 and 2003 opens in New York.

Nov 19, 2019 In 1989, film critic Raphaël Bassan coined the term cinéma du look. Describing a tendency in French cinema that had begun in the early eighties and would continue into the nineties, Bassan identified commonalities in the work of Jean-Jacques Beineix,...

Nov 15, 2019 It’s a strange feeling: adoring cinema while at the same time always sensing that it’s not made for you. This is how I felt growing up, at least. I came of age watching movies, crushing on them so hard that...

How It All Ends

The Daily

Nov 15, 2019 This week’s highlights take us from post-apocalyptic cityscapes to the deepest jungles of Southeast Asia, from the sound stages of Hollywood to the coal mines of West Virginia.

Oct 29, 2019 The actor-turned-producer made Paramount a major player during the heyday of the New Hollywood.

Oct 29, 2019 Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...

Oct 24, 2019 D irector Ishiro Honda gathered his crew and gave them an ultimatum. He was about to put his career at risk, and he would only work with those who approached his current project—a movie about a radiation-spewing prehistoric reptile that...

Oct 22, 2019 Muhammad Ali was thirty-two years old when he arrived in Kinshasa, Zaire, in 1974 to fight for the heavyweight championship of the world. Thirty-two is not prohibitively old for a boxer in the heavyweight division. (As I type, the most...

MoMA’s Back

The Daily

Oct 21, 2019 Newly renovated and expanded, New York’s Museum of Modern Art integrates the story of cinema into its history of modernism.

Oct 16, 2019 Deep Dives “I have a feeling that the really crucial moments in a film should be wordless,” the Bengali filmmaker Satyajit Ray once said. He was speaking of his 1964 masterpiece Charulata, whose action consists largely of soulful looks passing...

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