The Criterion Collection
Features
Oct 3, 2019 — By the time Charlie Chaplin was making The Circus, from 1925 into 1928, his production company was a smooth-running organization. Numerous problems plagued the comic during the shoot—scratches on the first month of rushes, a fire that damaged the studio...
The Daily
Oct 2, 2019 — Retrospectives in New York and on the Criterion Channel mark the hundredth birthday of the pioneering filmmaker.
The Daily
Sep 30, 2019 — Critics are enthralled by a mobster’s three-and-a-half-hour alternative history of the mid-twentieth century.
The Daily
Sep 27, 2019 — Some of the top titles premiering in Berlin, Locarno, and Venice this year are featured in the New York Film Festival’s Main Slate.
The Daily
Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.
The Daily
Sep 25, 2019 — Adam Driver and Scarlett Johansson star as a couple whose breakup turns nasty at the hands of “the divorce-industrial complex.”
Sep 24, 2019 — Bill Forsyth is Scotland’s most famous filmmaker, and Local Hero (1983) is his most famous film—for many, the true subject of Local Hero’s title is the Glasgow-born writer-director himself. The enduring affection and adulation for Local Hero stem from the...
The Daily
Sep 19, 2019 — Reteaming with Pedro Almodóvar, the Spanish star delivers a performance all the more powerful for its restraint.
Sep 17, 2019 — Fusing the melodrama of Douglas Sirk and the ballyhoo of William Castle, John Waters’ sixth feature, Polyester (1981), was a departure from the scrofulous 16 mm mode of production he had made his cult name plying to midnight-movie crowds in...
Sep 16, 2019 — In a dark moment, Laurence Olivier often reached for a laugh. His lofty, somewhat burdensome reputation as his century’s greatest dramatic actor belies the mercurial essence of his craft, which was to seize upon the humanity in each of his...