The Criterion Collection
The Daily
Sep 27, 2019 — This week, we’re pulling up from the archives landmark journals, behind-the-scenes photos, and movies from an unfairly maligned decade.
The Daily
Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.
Sep 16, 2019 — In a dark moment, Laurence Olivier often reached for a laugh. His lofty, somewhat burdensome reputation as his century’s greatest dramatic actor belies the mercurial essence of his craft, which was to seize upon the humanity in each of his...
The Daily
Sep 16, 2019 — Martin Eden tops the Platform competition, while audiences go for Jojo Rabbit.
The Daily
Sep 13, 2019 — Lucrecia Martel, Annette Michelson, Satyajit Ray, and Joanna Hogg feature in this week’s round.
The Daily
Sep 6, 2019 — In Nang, young writers celebrate Asian cinema in honor of Alexis Tioseco and Nika Bohinc, and new issues of other titles offer fresh reviews and interviews.
The Daily
Sep 5, 2019 — Critics split three ways: Joker is just plain great, or great but dangerous, or dangerous and also really quite bad.
Sep 4, 2019 — The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.
The Daily
Sep 3, 2019 — Early reviews of Gray’s space odyssey are strong—and even stronger for Brad Pitt.
Features
Sep 2, 2019 — Dark Passages Thieves’ Highway A hay cart trundles through a sunny field above Fresno, California, in the opening shot of Thieves’ Highway. This is not an image you expect to see in film noir, which most often breeds in cities, alienated from the...