The Criterion Collection
Essays
Feb 11, 2002 — Miloš Forman’s film is an amazing balancing act of subtle social satire and adolescent romantic longing, of blank despair and irrepressible hope.
Essays
Aug 20, 2001 — Preston Sturges’s generous-hearted satire achieves a synthesis that is both terribly funny and deeply moving.
Jul 9, 2001 — Directed by Bruce Robinson, this eccentric, disquieting satire about Madison Avenue transforms from fevered realism to symbolic fantasy.
Essays
Jun 18, 2001 — Bathed in scarlet hues, Ingmar Bergman’s period drama is his most daring attempt to achieve a dream state on film.
Essays
Apr 23, 2001 — In 1955, Jules Dassin, an American director in exile in Paris, made this flat-out perfect piece of cinema. The film came as a redemption for Dassin: a one-time promising young director cranking out B-movies under an MGM contract ("They were...
Essays
Feb 19, 2001 — Michael Powell and Emeric Pressburger’s romance film spins a web of myth and evocative symbolism around its central search for self-discovery.
Nov 13, 2000 — All the opening bands had finished playing, and it was time for the Stones to come out. The sun was still out and there was plenty of daylight left. The crowd had waited all day to see the Stones perform,...
Essays
Oct 2, 2000 — The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), resist the commodification of entertainment while charting the development of Jon Rubin (Robert De Niro) from voyeur to filmmaker to urban guerilla. If pictures like...